Fstoppers Original Articles

I am not going to lie, I have been stuck in an awful rut for almost a year. My creativity took a dramatic fall, and I had no get-up-and-go when it came to photography. Until now...

Photography didn't just evolve technologically—it fundamentally altered how humans behave, interact, and see themselves. These five moments didn't just introduce new features or platforms; they rewired our brains and created entirely new social behaviors that didn't exist before. Each represents a permanent shift in human psychology that we can never undo.

Ten years ago, I booked a one-way ticket to Australia, packed my camera, and set out with no real plan—just a gut feeling that I wanted to see the world and somehow make photography my life. I didn’t go to film school. I didn’t know what licensing was. And I definitely didn’t understand how hard it would be to build a sustainable creative career while living out of a backpack.

You're halfway through wedding family formals when Grandma starts rearranging everyone's positions because "the boys should be taller in the back." Uncle Bob pulls out his phone to show you better lighting techniques he saw on YouTube. The teenage cousin rolls their eyes and slouches every time you raise your camera. Meanwhile, your actual client—the bride who hired and is paying you—stands helplessly in her wedding dress watching her family hijack the photos she's been dreaming about for months.

You can learn how to light paint subjects in a matter of minutes. You'll learn how to do it well. And you'll learn how to do it inexpensively (if you want). Let's go!

Photography has evolved dramatically over the past 50 years, but certain cameras didn't just capture images—they fundamentally altered the entire medium. These five cameras didn't just introduce new features; they sparked revolutions that are still shaping how we create and consume photography today.

You've been charging the same rates for two years. Your costs have increased, your skills have improved, and your calendar is booked solid—yet you're making less money than ever because inflation has eroded your purchasing power while your prices stayed frozen. You know you need to raise your rates, but every time you think about it, panic sets in. What if clients leave? What if you lose the momentum you've built? What if you price yourself out of the market?

In an industry where formal education and expensive equipment often seem like prerequisites for success, Galina Trush's story stands as a powerful reminder that raw talent, determination, and an unwavering commitment to quality can open doors to the world's most prestigious publications. Today, her retouching work graces the pages of Vogue, Cosmopolitan, and Glamour, but her journey began in a small Ukrainian town with nothing more than a passion for visual arts and access to Photoshop.

In this video, you'll get a behind-the-scenes look at a real session and a real wedding day. But as the photographer being followed, I wanted to expand on a few things.

Every photographer dreads the moment their work gets stolen — but what happens when the President of the United States is the thief? Last night, Donald Trump took Mike Kelley's most iconic photo and turned it into a controversial deportation meme. Will this lead to one of the more interesting copyright cases in recent history?

Paris-born Mathieu Bitton, a Leica Ambassador, has photographed some of the world’s most celebrated artists, including Quincy Jones, The Rolling Stones, Kendrick Lamar, Lady Gaga, and Bruce Springsteen, as well as designing and art directing albums, posters, books, and promotional materials — earning him three Grammys. Here he explains how to break through a creative block, why rules of composition are meant to be broken, and why he burns sweetgrass over used equipment.

Every experienced photographer has a story about the client from hell—the one who made their life miserable, didn't pay on time, demanded endless revisions, and left negative reviews despite getting exactly what they asked for. What separates seasoned professionals from struggling photographers isn't just technical skill or marketing savvy—it's the ability to spot problem clients before they become problems.

The Fstoppers community is brimming with creative vision and talent. Every day, we comb through your work, looking for images to feature as the Photo of the Day or simply to admire your creativity and technical prowess. In 2025, we're featuring a new photographer every month, whose portfolio represents both stellar photographic achievement and a high level of involvement within the Fstoppers community.

Instagram was great until it ruined the art of photography. Somewhere along the way, the app that once celebrated still images traded intention for attention, and in doing so, it didn’t just change photography — it helped ruin the art.

Your portfolio is sabotaging your career, and you don't even know it. Right now, thousands of photographers are losing potential clients because they're making the same fundamental mistake that screams "amateur" to anyone who views their work. It's not about technical quality, composition, or editing skills—it's about something much more basic that most photographers completely misunderstand.

Every photographer knows this email. You've delivered the final gallery, the client loves 90% of the images, and then comes the follow-up: "These look amazing! Could you just make a few quick edits? Nothing major—just brighten this one a bit, remove that person in the background, and maybe make my skin look smoother in these five shots. Should only take a few minutes, right?"

If you are a photographer who works remotely, shoots all-day events, doesn't have access to electricity, or needs to power numerous devices, a powerhouse such as the GRECELL H2400 2400W Portable Power Station is valuable. Even better, it's also a UPS. It'll keep it all going.

Something's wrong in the photography world, and everyone can feel it. Browse any photography forum, scroll through Facebook groups, or check Reddit threads, and you'll see the same conversations repeating: established photographers selling their gear, newcomers questioning whether it's worth starting, and veterans openly wondering if the industry they once loved still has room for them.

Camera manufacturers have turned photographers into spec addicts, and it's time for an intervention. Every product announcement sends us scrambling to compare numbers: How many megapixels? What's the burst rate? How many autofocus points? We've been conditioned to believe that bigger numbers equal better photos, but that's marketing fiction designed to empty your wallet.

Today, I’d like to take a moment to focus on what has really mattered in my life as a photographer.

You're scrolling through Instagram when you see it: your photograph, posted by someone else, with no credit, no permission, and often with their own watermark slapped on top. Your stomach drops. That image took hours to capture and edit, and now someone is using it to promote their business, build their social media following, or sell their products—all without paying you a cent.

Your sister needs engagement photos. Your college roommate is getting married. Your neighbor wants family portraits. They all know you're a photographer, and they all expect the "friends and family discount." It feels natural to help the people you care about, especially when you have a skill they need. So you cut your rates in half, or maybe shoot for free, thinking you're being generous and strengthening relationships.

What gear do you need to photograph landscapes with the Milky Way? The good news is that you don't need the most expensive, fanciest gear to get amazing Milky Way photos.

Today, I’d like to share three simple rules for success in art and in life that have helped me through both the ups and the downs.

Alison Conklin is a Fujifilm creator who has spent more than two decades capturing emotional, candid imagery for weddings, engagements, families, and editorial clients including Martha Stewart Weddings, The Knot, and Brides. She tells us what gear is indispensable, what she learned from Linda McCartney, and why instinct tops technical skill.

The camera industry is littered with the corpses of products that looked revolutionary on paper but crashed spectacularly in the real world. These aren't just minor missteps—these are epic failures that cost companies millions, confused consumers, and taught us valuable lessons about what not to do. Here are the cameras that failed hardest, and the brutal reasons why.

Composition is one of the most talked-about aspects of landscape photography. You hear it everywhere: follow the rule of thirds, use leading lines, balance your frame. These principles are undeniably useful, but the problem is that they are often treated as absolutes rather than guidelines. The notion that there is a single "perfect" composition is one of the most pervasive myths in landscape photography, and today, we will break it down.

Photographers talk about lighting all the time—how to shape it, soften it, bounce it—but we don’t talk enough about how lighting can tell a story. It doesn’t just illuminate a scene; it sets the emotional tone and builds the narrative.

The L Mount was first introduced by Leica in 2014. It was developed as a new lens mount standard designed to unify full frame and APS-C mirrorless systems. What began as a proprietary mount for Leica cameras evolved into something much more significant with the formation of the L Mount Alliance in 2018. This partnership brought together Leica, Panasonic, and Sigma—three industry heavyweights with distinct strengths: optical heritage, video innovation, and third-party lens versatility. The idea was simple yet ambitious: to create a shared ecosystem of cameras and lenses under a single mount, offering users cross-brand compatibility and long-term investment value.

While tilt-shift lenses are most commonly associated with architectural and landscape work, they offer some seriously underrated creative potential in wedding photography, especially when it comes to portraits and environmental storytelling.

Share a photo in an online community, and you’ll likely receive all kinds of feedback. Some will offer praise; others will point out flaws. But there’s one skill many photographers overlook—one that could hold the key to making your work stronger.

I’ve spent a lot of time pondering the best prime lens to use in recent years, as I’ve wanted to keep my gear to a minimum. Not so much to save on bulk or weight when taking it on a trip somewhere, but more to simplify my photography. I like just having one or two prime lenses. It forces me to work a little harder and look a little harder for compositions. That, to me, is what photography is all about. We should put a little effort into our craft and enjoy the process as we do it.

I have wondered what it is that makes one photograph effective and another just a big yawn. Why is it that one photographer can make a photograph of an object and everyone's jaw drops to the floor, and another can make almost exactly the same photograph and no one is impressed—except the photographer’s mother, knowing being impressed is part of a mother's job description?

If you love photographing vast landscapes, ancient cities, and magnificent architecture, you'll enjoy a visit to Morocco. In this article, I show you five of the best photo spots in the country.

Adobe's new Adaptive Color Profile uses AI to analyze an image, adjusting color, tone, and contrast of raw images. Unlike presets, Adaptive Color Profile is not a "one size fits all." How would it work with night photography images, which are notoriously difficult for AI to interpret?

Today, I’d like to share a personal story which some of you out there may just be able to relate to.

What matters more—sensor size or how a camera fits into your real-world workflow? Recent comments from our Fstoppers community made me curious to delve into how typical photographers feel, and it revealed a lot more than just APS-C vs. full frame preferences.

Leica is observing a truly historic moment in 2025: the 100th anniversary of the Leica I camera. You might know the name Leica, but the introduction of the Leica I was more than just a product launch; it was an event that irrevocably altered the landscape of photography.

In the world of content creation, data is king, and losing it is a nightmare scenario, especially when you’re out in the field. While portable SSDs offer blistering speeds, their cost per terabyte can still sting, particularly when you need to store hefty raw files and uncompressed videos. The SanDisk G-DRIVE ArmorATD updates the classic portable hard drive with extra durability and a modern USB-C interface. But in an era dominated by solid-state speed, does this rugged hard drive still have a place in a creator's bag?

Do you find you have limited time to head out to do landscape photography? I do, and the times I am able to carve out a few hours, when I get to my chosen location, the light is terrible. And disappointment quickly sets in, because I wanted to create a beautiful image. So now, I’ve changed my approach to landscape photography and focus on looking for a story to tell instead.

There were 1.8 trillion photographs shot last year. Most are just a simple record of something that happened, while others are elevated beyond that by becoming art. Here is how you can lift your photography beyond the mundane.

You’ve heard it all: “Shoot manual,” “Golden hour is king,” “Always follow the rule of thirds.” But what if those trusted tips aren’t always right?

Dixie Dixon, the international fashion, lifestyle, and advertising photographer, is known for the glamorous images she creates for elite brands such as Disney, Virgin, and People magazine. She answered our Ten Questions, telling us what gear she can’t do without, what inspires her, and why Vaseline is indispensable.

An unusual Soul Service Station in the desert. Long streaking stars. Surreal light painting. We take you behind the scenes to reveal how you can also create photos such as this.

If you’ve been following along, you’ve probably started noticing something funny: SEO isn’t actually about being clever. It’s never been about outsmarting the search engines—it’s about being clear. You’ve started naming and uploading your images with intention. You’ve updated your homepage to say what you actually do. You’ve stopped tossing overused keywords into the void and started speaking your clients’ language. Google is beginning to understand you. And maybe, just maybe, so are your ideal clients.

For landscape photography, summer is a curse. Harsh, bright light and blue skies give some photographers nightmares. They stay inside and read Fstoppers articles. Probably. No one really knows—they keep so quiet. Maybe they should read this article, because summer just so happens to be a fabulous time of year to grab a camera and wander into town for a spot of street photography.

The number of times I’ve been called to a restaurant, hotel, or food manufacturer to photograph food on location, with only tired-looking tables or bar tops to work with, I can’t count on two hands. Or fresh white linen with nasty big creases. I think that’s even worse. Luckily, V-Flat World has the answer with DuoBoards.

One of the most debated topics in landscape photography is the role of editing. While some photographers firmly believe that an image should reflect the reality of the scene, others see post-processing as a critical creative tool that allows them to express their unique vision. The central question becomes: where do we draw the line between enhancement and deception?

Increasing the ISO for low-light photography has recently become less of an issue for various reasons. Nevertheless, if you want to capture action, you should understand it to achieve better photos.