How to Choose the Right Camera Mode Every Time

Understanding your camera's exposure modes goes beyond basic settings; it's about taking control of your creative outcomes. Using the right mode in the right situation can significantly influence the quality of your photos and your growth as a photographer.

Coming to you from Ed Verosky, this practical video clearly outlines the essentials of camera exposure modes, from Auto and Program to Aperture Priority, Shutter Priority, and Manual mode. Verosky points out that Auto mode, while easy and quick, leaves creative decisions entirely to your camera, often limiting your ability to capture specific effects, like a softly blurred background in portraits. Program mode, or P mode, offers a balance by automatically managing aperture and shutter speed but still giving you control over ISO, white balance, and exposure compensation. This makes it useful for times when you need some control without going fully manual. Aperture Priority mode is highlighted as a favorite among professionals because it allows you to manage the depth of field—how blurry or sharp your background is—while the camera adjusts shutter speed automatically.

Verosky explains that Shutter Priority mode is particularly valuable when capturing motion, as it lets you set how quickly your camera takes the photo, leaving aperture adjustments to the camera itself. For instance, fast shutter speeds freeze action, great for sports or wildlife, whereas slower speeds can create artistic blur, ideal for landscapes with moving water or night photography. Manual mode, often daunting for beginners, gives complete control of aperture, shutter speed, and ISO, making it ideal for challenging lighting scenarios or precise creative control. Mastery of this mode requires practice and understanding, but it opens significant creative potential, particularly when you're working with studio lighting or situations that demand exact settings.

One significant aspect Verosky introduces briefly is flash photography. Using flash complicates exposure because you're balancing two light sources—ambient and artificial. He suggests that before you tackle flash photography, getting comfortable with standard exposure modes is essential. TTL (Through The Lens) metering simplifies flash use initially by automatically adjusting flash output, but Verosky advises eventually moving to manual flash settings for greater control and consistency. He also mentions special creative modes—like portrait, landscape, or macro—which offer quick automatic setups tailored to specific situations, ideal for beginners needing immediate results without fussing with manual adjustments. However, these modes can restrict your ability to tweak individual settings.

Throughout, Verosky emphasizes that understanding exposure isn’t merely about technical proficiency; it's about creatively shaping your images to reflect your vision. Each mode has its purpose and optimal scenarios, but knowing which one to choose and when makes the real difference. Mastering these modes gives you practical tools to elevate your photography, helping you move beyond simple snapshots toward images that match what you envision in your mind's eye. Check out the video above for the full rundown from Verosky.

Alex Cooke's picture

Alex Cooke is a Cleveland-based photographer and meteorologist. He teaches music and enjoys time with horses and his rescue dogs.

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2 Comments

Thanks for the reminder but I only use manual mode and I had 15 year experience in photography. Nonetheless I should step up my lighting game. One a get a flash I'll look into it more. I'm or of a natural light guy who doesn't keep his camera on awb shh don't till them I told you that. For year I was stuck in program mode till college. Manual was seem difficult and confusing. But I studied everyday, I kept a camera in my hand until I got good. Like not pro but just better enough to come out of program mode. Manuel mode became amazing too me. I was finally in control of my device. My image and artwork started to really look different. So I took it a step forward I got cinematic lens which never connects and everything is manual opps I forgot the I would remove the autofocus. 🤔It was just me and the lens. I leaned that focusing can go beyond what only the camera can see with autofocus. Manual focusing game a even more of a game changer. It was a work of art for every T-stop I would take a picture.